OBSERVER: The Portrait
Key points
- Physical comedy has become a rare art form, but The Portrait revives it through the humour of a look or a gesture. Emilie Bloom and Tim Sneddon play two attendants guarding a room before a portrait unveiling.
- As the crowd approaches, their quirks grow more pronounced while they struggle to keep their dignity and grow irritated with each other. Creator and director Claire Bartholomew builds the piece to a climax, with a near disaster averted before the unveiling.
- Beneath the slapstick sits a satire of human pretension and prejudice.
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